80,096 Free Images of Laid Paper

yale center for british art engravings in the yale center for british art line engraving oliviero gatti mezzotint prints in the yale center for british art mezzotint francesco curti sketchbooks in the yale center for british art thomas patch etching

Rev. Dr. Thomas Percy, Dean of Carlisle, William Dickinson, 1775

mezzotint prints in the yale center for british art william dickinson

Margaret Georgiana Spencer (née Poyntz), Countess Spencer, Thomas Watson, 1772

mezzotint prints in the yale center for british art thomas watson

The New Court House and Chandpam Ghaut, Thomas Daniell, circa 1787

drawings in the yale center for british art orientalism

The Three Marys Going to the Sepulchre, Valentine Green, 1784

mezzotint prints in the yale center for british art valentine green

Jane Gordon (née Maxwell), Duchess of Gordon, William Dickinson, 1775

mezzotint prints in the yale center for british art william dickinson

William Dodd, L. L. D., John Goldar, between 1775 and 1795

engravings in the yale center for british art john goldar

sketchbooks in the yale center for british art thomas patch

A Man of the Sandwich Islands, John Webber, circa 1784

monotype prints in the yale center for british art john webber

Portrait of a Man with Hat, John James Chalon, 1792

etchings in the yale center for british art john james chalon

Mrs. Yates as 'Melancholy' in 'Il Penseroso', Robert Dunkarton, 1771

mezzotint prints in the yale center for british art robert dunkarton

Mrs. Frances Ann Crewe as St. Genevieve, Thomas Watson, 1773

mezzotint prints in the yale center for british art thomas watson

Elizabeth Ann (Linley) Sheridan, Gainsborough Dupont, between 1787 and 1797

mezzotint prints in the yale center for british art gainsborough dupont

Lord Seaforth Standing, Leaning against a Pillar, Thomas Patch, 1760s

sketchbooks in the yale center for british art thomas patch

Mrs. Frances Ann Crewe as 'St. Genevieve', Thomas Watson, 1773

mezzotint prints in the yale center for british art thomas watson

The Disappointment, or, The King's Evidence treated with the caution he deserves, William Dent, 1791

etchings in the yale center for british art william dent

Three Horses, Samuel Daniell

drawings in the yale center for british art samuel daniell

The Woman Taking Coffee, Louis-Marin Bonnet, circa 1774

prints in the yale center for british art louis-marin bonnet

Hercules and Achelous, Heinrich Aldegrever, 1550

prints by heinrich aldegrever heracles and achelous

A Horse Affrighted by a Lion, George Stubbs, 1777

prints by george stubbs romanticism

Dedication Page to Charles III of Spain and the Two Sicilies, frontispiece for Paolantonio Paoli, Rovine della città di Pesto detta ancora Posidonia (1784), ca. 1765

collections of the cooper hewitt, smithsonian design museum rococo,baroque

A Man Standing with Crossed Legs Playing a Flute, Thomas Patch, 1760s

sketchbooks in the yale center for british art thomas patch

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Oliviero Gatti

engravings in the yale center for british art oliviero gatti

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Oliviero Gatti

engravings in the yale center for british art oliviero gatti

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Oliviero Gatti

engravings in the yale center for british art oliviero gatti

Young Gentleman with a full Face and long, curled Wig, Edmund Ashfield, circa 1680

drawings in the yale center for british art edmund ashfield

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Oliviero Gatti

engravings in the yale center for british art oliviero gatti

For Japaning, Where may be 200 Different Sorts, Peter Paul Benazech, 1757

etchings in the yale center for british art peter paul benazech

For Japaning, Where may be 200 Different Sorts, Peter Paul Benazech, 1757

etchings in the yale center for british art peter paul benazech

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Oliviero Gatti

engravings in the yale center for british art oliviero gatti

Hercules before the Temple of Janus, Abraham Blooteling, between 1680 and 1690

mezzotint prints in the yale center for british art abraham blooteling

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Oliviero Gatti

engravings in the yale center for british art oliviero gatti

Mr. Bennet Reclining on a Sofa Reading a Letter, Thomas Patch, 1760s

sketchbooks in the yale center for british art thomas patch

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Oliviero Gatti

engravings in the yale center for british art oliviero gatti

For Japaning, Where may be 200 Different Sorts, Peter Paul Benazech, 1757

etchings in the yale center for british art peter paul benazech

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Oliviero Gatti

engravings in the yale center for british art oliviero gatti

Elizabeth, Duchess of Hamilton and Brandon and of Argyll, John Finlayson, 1770

mezzotint prints in the yale center for british art john finlayson

Lord Macartney Seated, His Head Turned towards the Artist, Thomas Patch, 1760s

sketchbooks in the yale center for british art thomas patch

Childers, the Fleetest Horse that Ever Run at Newmarket, Richard Houston, 1755

mezzotint prints in the yale center for british art richard houston

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Oliviero Gatti

engravings in the yale center for british art oliviero gatti

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Oliviero Gatti

engravings in the yale center for british art oliviero gatti

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Oliviero Gatti

engravings in the yale center for british art oliviero gatti

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Oliviero Gatti

engravings in the yale center for british art oliviero gatti

A View of the Fire in Covent Garden, Samuel Hieronymus Grimm, 1769

etchings in the yale center for british art samuel hieronymus grimm

For Japaning, Where may be 200 Different Sorts, Peter Paul Benazech, 1757

etchings in the yale center for british art peter paul benazech

For Japaning, Where may be 200 Different Sorts, Peter Paul Benazech, 1757

etchings in the yale center for british art peter paul benazech

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Oliviero Gatti

engravings in the yale center for british art oliviero gatti

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Oliviero Gatti

engravings in the yale center for british art oliviero gatti

Hercules before the Temple of Janus, Abraham Blooteling, between 1680 and 1690

mezzotint prints in the yale center for british art abraham blooteling

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Oliviero Gatti

engravings in the yale center for british art oliviero gatti

Elizabeth Lady Melbourne with Her Son, the Honourable. Peniston Lamb, Thomas Watson, 1775

mezzotint prints in the yale center for british art thomas watson

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Oliviero Gatti

engravings in the yale center for british art oliviero gatti

Ancient Temples and Rotundas (Five Designs), Antonio Lafreri, between 1546 and 1590

engravings in the yale center for british art antonio lafreri

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Oliviero Gatti

engravings in the yale center for british art oliviero gatti

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Oliviero Gatti

engravings in the yale center for british art oliviero gatti

The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe, William Dickinson, 1774

mezzotint prints in the yale center for british art william dickinson

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Oliviero Gatti

engravings in the yale center for british art oliviero gatti

For Japaning, Where may be 200 Different Sorts, Peter Paul Benazech, 1757

etchings in the yale center for british art peter paul benazech

A Man Standing, Facing the Artist, Trees Beyond, Thomas Patch, 1760s

sketchbooks in the yale center for british art thomas patch

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Oliviero Gatti

engravings in the yale center for british art oliviero gatti

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Oliviero Gatti

engravings in the yale center for british art oliviero gatti

Old Trees with Old Man, a Girl and a Dog, Richard Corbould, 1802

lithograph prints in the yale center for british art richard corbould

Studies for the Instruction of Painters, two suites. Rome, Francesco Curti, circa 1633

engravings in the yale center for british art francesco curti

Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats, James Malton, 1802

architectural drawings in the yale center for british art james malton

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Francesco Curti, circa 1633

engravings in the yale center for british art francesco curti

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Francesco Curti, circa 1633

engravings in the yale center for british art francesco curti

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Francesco Curti, circa 1633

engravings in the yale center for british art francesco curti

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Francesco Curti, circa 1633

engravings in the yale center for british art francesco curti

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Francesco Curti, circa 1633

engravings in the yale center for british art francesco curti

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Francesco Curti, circa 1633

engravings in the yale center for british art francesco curti

sketchbooks in the yale center for british art thomas patch

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Francesco Curti, circa 1633

engravings in the yale center for british art francesco curti

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Francesco Curti, circa 1633

engravings in the yale center for british art francesco curti

A Young Man Seated at a Desk Writing a Letter, Thomas Patch, 1760s

sketchbooks in the yale center for british art thomas patch

King Lyncus Turned Into a Lynx by Ceres, Jacob Gole, between 1675 and 1700

mezzotint prints in the yale center for british art jacob gole

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Francesco Curti, circa 1633

engravings in the yale center for british art francesco curti

A Man in a Tricorn Hat Standing Holding a Fur Muff, Thomas Patch, 1760s

sketchbooks in the yale center for british art thomas patch

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Francesco Curti, circa 1633

engravings in the yale center for british art francesco curti

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Francesco Curti, circa 1633

engravings in the yale center for british art francesco curti

Part of Calcutta Taken From the B[...]mgalow a Little Below the Orphan House, Thomas Daniell

drawings in the yale center for british art orientalism

A National Beggar On Horseback, Or, An Illustrious Overshot At Newmarket..., William Dent, 1792

engravings in the yale center for british art william dent

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Francesco Curti, circa 1633

engravings in the yale center for british art francesco curti

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Francesco Curti, circa 1633

engravings in the yale center for british art francesco curti

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Francesco Curti, circa 1633

engravings in the yale center for british art francesco curti

A Boy with Long Curly Hair, Standing Facing the Artist, Thomas Patch, 1760s

sketchbooks in the yale center for british art thomas patch

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Francesco Curti, circa 1633

engravings in the yale center for british art francesco curti

Junction of the Greta and Tees at Rokeby, John Pye, between 1818 and 1823

engravings in the yale center for british art john pye

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Francesco Curti, circa 1633

engravings in the yale center for british art francesco curti

A Man Standing in Front of a Mantelpiece Holding a Gun, Thomas Patch, 1760s

sketchbooks in the yale center for british art thomas patch

Catherine Hunter, Valentine Green, 1771

mezzotint prints in the yale center for british art valentine green

Miss Harriet Powell, Richard Houston, 1769

mezzotint prints in the yale center for british art richard houston

Figures and horses near a doorway, Gainsborough Dupont

drawings in the yale center for british art gainsborough dupont

Blind Plaintiff, Lame Defendant Share, William Dobson

mezzotint prints in the yale center for british art john simon

John Boydell, Engraver, Valentine Green, 1772

mezzotint prints in the yale center for british art valentine green

Yachting Girl, Winslow Homer, 1880

drawings by winslow homer realism

George the Third King of Great Britain &c &c &c, William Woollett, between 1763 and 1764

engravings in the yale center for british art william woollett

Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats, James Malton, 1802

architectural drawings in the yale center for british art james malton

Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats, James Malton, 1802

architectural drawings in the yale center for british art james malton

Mr. Foote and Mr. Weston in the Characters of the President and Dr. Last, John Finlayson, 1769

mezzotint prints in the yale center for british art john finlayson

Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats, James Malton, 1802

architectural drawings in the yale center for british art james malton

Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats, James Malton, 1802

architectural drawings in the yale center for british art james malton

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